Next on the project list was to ink Hela. I use to use a brush a lot in my work but found over time that I really like a “dead” line and for that I’ve found inking with a brush to difficult. I use Sakura Pigma Micron Pens for the line work and an old brush and black magic (or whatever is handy) ink to fill in the large parts. The fact that I don’t do a ton of ink work probably reflects my lack of a favorite ink.

I don’t like to use a lot of halftone as I really like large areas of black and white. Plus, I’m leaving something for the color to do beside just fill in white areas.
I won’t talk a ton about it as I’m working on an upcoming post about the subject of reference but I will mention that I do use it. I combine photos from the Internet, magazines, and many that I produce myself as I’m also a novice photographer. This image is a combination of 3 or 4 photos that I put together in photoshop where I can digitally paint over top of them to create special effects or retool the lighting so that it all matches. I’ve found through hard trial and error that the more time I take with preliminary things to prepare for a drawing or painting the better (and easier) they come out.
After I’ve got the photoshopped reference printed out I transfer it to my 14×17 bristol board. I do this with a classic grid method. Be careful if you use this method as if you don’t already know how to draw it can become a significant crutch. I use it to make sure my proportions and angles are correct. I bounce back and forth between drawing from reference to straight out of my head because while I want a correct looking drawing, I want it to be my drawing and not just a reproduction of the photos. This can be a very fine line and the line is different for different artists. (This topic sounds like a post in it’s own right)
Now that the ink work is done it’s on to the colors which I’ve already finished but I’ll give you a few days to absorb the ink before I post the color.