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Here comes Wonder Woman to save the day.  I’ve got a little bit of freelance work going now but no where near enough to feel save from those things.  Luckily, I’ve got tons of extra paper, pencils and paint.  Got to keep drawing and painting.

I love drawing the figure and have this desire to be able to draw very realistically out of my head as if I had reference right in front of me.  To that end I’m drawing out of my head and then finding reference to correct some of the weaker points of a drawing.  The WW drawing is a example of that.  It’s a great way to improve your drawing and learn in general.  This is the fixed drawing and the biggest errors were where her lliac crest and greater trochanter push to the skin creating turning points around her hip.

I’ve started seeing these…things.  Through a crowd of people, waiting in parking lots, hiding in the woods by my house.  I don’t know what they want but whatever it is I just know that it’s bad. I feel them coming closer lately.  But I’ve stuck upon something that keeps them from coming any closer.  I’ve found that when I draw or paint they recede into the background.  I don’t know if it’s the God like act of creation that repels them or if they’re just allergic to graphite and gesso.

The only thing I’m sure of is that I have to create something everyday.  Every single day.  Or I’m done for.

Here’s just one of the ones from today.

PS.  I’m not sure if I should be talking about this.  I don’t know if these things can access the Internet much less read but I have to  let others know.  Maybe I can save some other people at the same time I save myself.

PSS.  The picture above is just a Photoshop doodle.  I like how it turned out.

If only I were 1% as good as my influences.

Here’s the rundown starting in the top left hand corner.  You can scroll down to the previous post to see the images.

1.  Shawn Barber – Fantastic oil painting who does a lot of paintings of tattoo artists. He’s a self made guy and has a great philosophy about painting and drawing.  Highly recommend his website but it’s NSFW.

2. Marko Djurdjevic – Concept charter and Marvel cover artist.   I absolutely love the way he drawings.  Good digital painter but what really makes him shine is his line work and dynamic figures.  He’s just got the stroke.  (aka, just a really cool style)

3. Rudy Obrero – Castle Grayskull Box Art – He along with Earl Norem and William George did most of the original He-man packageing artwork.  I love He-man and that those old school paintings were a heavy influence on me.  Castle Grayskull was the best Christmas present I ever got.

4. Jeremy Geddes – Heat Death – Jeremy is a fine oil painter who is super realistic but totally blows photographic realism out of the water.  He’s done some comic cover work too.

5.  Scott Burdick – Figure artist and oil painter.  He paints so wonderfully thick.  I drool over the raw depth of images.

6.  Lucas Graciano – He’s a teacher at the Watt’s school (more on them later) and he a great oil painter.  He’s done work for tons of collectible card games.  He’s won some nice awards lately for some of his work.

7.  Jeffery Jones – If you don’t know who this is I can’t help you.  I’ll get killed for this but I think he’s better than Frazetta.

8.  Phil Hale – Cover to Flinch #1.  Hale is right there for me with Jon Foster and Rick Berry.  Foster and Hale studied with Berry.  All have done this really cool wipe techique when oil painting where you wipe out a lot of the paint to create your lights and transitions and then paint back into it to add detail and definition.  Hale is my favorite but that might be because he’s done some Swamp Thing cover and I love me some Swamp Thing.  Hey, get you mind out of the gutter.

9.  Brian Stelfreeze – The best mind in comics.  The best teacher in comics.  Turns comics from entertainment into a craft of fine art.

10. Gregory Manchess – This guy is old school oil painting genius.  He’s done tons of covers for fantasy novels and National Geographic.  I love how he paints with virtually no blending.  It’s all overlap.  To learn how to really paint study this guy.

11.  B. Fowler – This one is weird and two fold.  One, it’s a sketch portrait of my wife who is my best critic and supporter.  She is brutally honest sometimes to my dismay.  Second, it’s my own work.  I do influence myself because there certain ways I make a mark that I love that although are somewhat influenced by other artist are really mine.  It’s the end result of the distillation process.

12.  Dan Dos Santos – Book cover illustrator and oil painter.  He’s just flat out good.

13.  Hope Railey – She’s an awesome portraits and figure artist who works most in charcoal.  She’s my pick for a type of figure drawing that I love.  It’s a southern California thing that comes from a few schools there that kept teaching realistic figure drawings when the world went all eye of the artist Basquiat crazy.  It focuses a lot on methods credited to Frank Reilly.  The Watts school with teachers like E.M. Gist and Lucas Graciano and Jeff Watts himself. Then there is  Fred Fixler.  Glen Orbik.  To much to go into here but if anybody wants to chat about it, email me.  I love the stuff.

These things have been making the rounds all over the online artist communities and I am being fashionably late.  These are just the ones freshest in my mind as I am definetely forgetting at least 100-200 of my other biggest influences.  It’s odd what influences me. Sometimes it’s only one painting an artist does that really strikes a chord in me.  I’ll go search out the artist only to find I don’t really care for anything else they’ve done.  The biggest things that draw my attention are brushstrokes, emotional impact, and color harmonies.  Really good foundational drawing always perks me up too.  There are a lot of guys and gals I like that I wish would never finish a piece because the beginning has so much more interest.

Anybody who can name all the squares will receive either 500 dollars (in monopoly money) or a free sketch, my choice.

Here is the finished oil painting for the Hook Horror contest over at the Artorder blog.  The original is around 9″ x 27″.  I did a lot more glazing on this that I normally do.  I was trying to get that prominent lighting effects like Rembrandt would get.

Click on the image to see a full resolution version.

Every artist has his or her influences.  There are usually so many that it’s very hard to narrow them down.  I have numerous ones myself but I’ve never really tried to list them.  That is, until know.  Some of these artist’s only influence on me is their inspirational struggles.  Others I’ve outright ripped off a little bit.  I don’t think that’s a bad thing.  Any artist is a virtual casserole of his influences, put into a blender, eaten and then thrown up only to be ingested once again, much like our friend the common house fly.  I’ll keep this list to my top ten.

In a bold attempt to write more than one sentence about each person and to populate my blog with some content I’m going to drag this out a bit.  Every week I’ll post a new one  counting down from 10 until we get to my #1 all time favorite artist, which even as I type this I’m not sure who that is.  Let’s get started.  Here is number #10.

#10 – Brian Stelfreeze

I grew up on comics.  Reading them led to my love of drawing.  There is one comic artist who influenced me not as much by his fantastic art but more because of the type of person and teacher he is.  That would be the incredibly talented Brian Stelfreeze.  I’ve been attending the Heroes comic book convention as a fan or artist for almost 15 years now and every single year I’d hang out at Brian’s table because he was dropping some serious art knowledge atomic bombs.  In fact, in hindsight I wish I’d just taken all that money for art school and hired Brian as a mentor and tutor.  He’s an artist who has a rare ability to be an even better teacher and that’s saying a mouthful as his art is quite awesome.  You can see him at almost any show with clipboard in hand showing struggling artist (and sometime professionals) the keys to making good comics.

He isn’t one to placate an artists either.  He once looked though a comic I’d self published to give me some feedback.  As he tuned the pages he’d commit on my strengths here or what I’d done good there, but then he’d stop dead on a page, tap the page and ask me why I had to go and %$^ it all up and do this.  You’re killing me, he’d say.  You’ve got all this beautiful rendering but you didn’t follow this basic rule.  The other cool thing about Brian is that when he gives you some knowledge you better pull up a chair.  I’ve never had a critique from the guys that was less than 20 minutes and I’ve had some that went over an hour.

Almost every time I draw or paint at some point during the process I’ll hear Brian’s voice in my head reminding me of one of the hundreds of art lessons or techniques he’s taught me over the years.

Honorable Mention:  Lee Weeks and JRJR

Lee Weeks (and his run on the Incredible Hulk) and John Romita, JR. (and his run on Spider-man) should also get an honorable mention.  The thing that links these two guys together in my eyes is their ability to ride a fine line between telling a story and being an illustrator.  I grew up in the middle of the Image comics revolution during a time when comic art was 90% sizzle and 10% steak, with tons of random cross hatching covering up some misguided fundamentals.  JRJR and Weeks are the perfect combination of steak and sizzle.

Incidentally, that Batman image above is the cover to my favorite Batman comic of all time.  The story is about the Joker who is in jail in Arkum Asylum.  He knows there a kidnapped little girl is being held.  If Batman can’t get the Joker to talk the little girl will die.  Great story and wonderful art.